Connected TV: DRTV’s grandchild

What happened when the telly grew up on the internet: broadcast’s sight, sound and motion, bought like digital. Top-of-funnel reach with a little more aim.

What it’s actually for

Connected TV is what happened when the telly grew up on the internet. It carries the old broadcast power — sight, sound and motion, full-screen, in the living room — but bought like digital, with targeting and measurement the thirty-second spot never had. It is, in the most useful sense, DRTV’s grandchild: the direct-response television worldview, applied to streaming.

Its job is broad awareness with a little more aim: putting a real, emotional brand message in front of large, loosely-targeted audiences at the very top of the funnel. It is a Notices channel with production values — reach and feeling, not clicks and forms.

Where it fires

Connected TV → Notices, broad mode. Television’s reach with a little of digital’s aim.

A broad channel.

1. Notices

1. NOTICES

2. Looks

2. LOOKS

3. Sizes up

3. SIZES UP

4. Buys

4. BUYS

5. Uses

5. USES

6. Judges

6. JUDGES

7. Returns

7. RETURNS

8. Preaches

8. PREACHES

On the marcomms map, connected TV fires at Notices, in broad mode. It is unapologetically top-of-funnel: building awareness, association and brand memory at scale, seeding the recognition that pays off downstream as branded search and warmer first conversations. It does not size up and it does not close; it makes the later stages cheaper by making you familiar first.

The numbers that matter

Activity metrics: impressions, completed views, CPM, reach. The line that matters is the downstream lift — branded-search and direct-traffic movement in the windows after a burst, and brand-recognition shifts where you can measure them. Asking a CTV campaign for last-click conversions is asking the grandchild to behave like a search ad: wrong channel, wrong question.

When not to use it

Where it goes wrong: buying it as a performance channel and judging it on conversions — premium awareness money measured with a direct-response ruler. And under-funding the creative: CTV lives or dies on the film itself, and a cheap message at broadcast scale just broadcasts that it was cheap.

One row of twenty

This is one row of the marcomms map: every channel, every stage, every targeting mode, on one page.